ModestMouse,Modesty

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问题一、Modest Mouse 英文介绍

谦逊耗子乐团是来自华盛顿州小镇伊萨夸的三人组。吉他手和歌手艾萨克布洛克在贝斯手埃里克朱迪和鼓手杰里迈亚格林{也在《红星理论》和《萨蒂事实》中)的帮助下，从1994年开始就一直在做这件事，正如《悲伤的萨皮萨克》(K，2001)所记录的那样，它收集了第一张未发行的专辑，他们的首张单曲《蓝色少年3》(K，1994年)和单曲《小鸟大战蠕虫》(命中或未命中，1997年).1994年的单曲包含了精致的旋律挂毯《野餐时总是下雨》和《向上公爵》的呼喊颂歌。未发行的曲目范围从经典塑料木材的朋克摇滚到从A点到B点的贫血民谣，从《红手机壳》的醉酒爵士曳步到赛车咧嘴大笑的愤怒咆哮。算不上杰作。乐队的第一张专辑是双碟《这是一个无所事事的人的漫长旅程》(上，1996年版)，这是一部关于20世纪90年代日常生活的长篇编年史。最好的曲目{戏剧性的晕船药，以浪漫的吉他为基础的长尾声，七分钟的切分音psycho-boogie海滩酒店)成功地将小精灵甚至民兵的古怪、分散和不稳定的摇滚注入到由声音引导的声音、Sebadoh和铺面的低保真的流行格式中。声音完成了大部分工作。艾萨克布洛克以一种戏剧性的方式背诵他的故事，他的声音经常把音乐推到一边。例如，乐器只是在习俗关注中铺设了一个安静、稳定的低调朱明地毯，布洛克神经质的表达充满了意义。而她离子化、原子化的心理剧，不愧是布莱希特式的演员。另一方面，在布洛克放下故事之后，乐器往往会继续一首歌，用{故意)草率的干扰来增加少年疏离感。这听起来好像他们只是不知道如何结束这首歌，但这种笨拙是结束它最有效的方式。因此，冗长的尾声似乎与原曲没有什么共同之处，在某些情况下{谈论美丽的日落，让每个人都开心/机械鸟)基本上超越了它。尽管是情绪革命的先锋，谦逊耗子乐团表现出了与朋克一代和新声音资源文件足够的亲和力

e, notably in the defiant punk-folk rants Breakthrough and Dog Paddle, the one-minute emotional burst of Might, the vehement funk-punk of Tundra/Desert, and Lounge, in the vein of early Talking Heads (with another long coda, this time pivoting around an austere et of cello and guitar). Brock”s honest, heart-felt lyrics were often more significant than the music, and this turned out to be particularly true for the following EPs. However, the title-track from Interstate 8 (Up, 1996) and The Fruit That Ate Itself from Modest Mouse (K, 1997) succeed in marrying lyrics and music. The single Birds Vs Worms (Hit Or Miss, 1997) contains the frantic and spastic lullaby Every Penny Fed Car and two bluesy numbers: Worms vs. Birds (imagine a lo-fi version of the Rolling Stones” Brown Sugar) and Four Fingered Fisherman. Brock”s in-depth look at the lumperproletariat and middle-class of the USA grew much sharper and musically assured with The Lonesome Crowded West (Up, 1998). His portraits of drifters, losers and disillusioned fools could now rely on supporting structures made of fiddle-driven folk (Jesus Christ Was An Only Child), country-rock (Trailer Trash), atmospheric pop (Polar Opposites) and even blues (Styrofoam Boots). The band could now rock, albeit in a goofy way (Lounge, reprised from This Is A Long Drive, Shit Luck, halfway between Led Zeppelin and punk-rock, and especially Doin” The Cockroach, their most ferocious song yet). Lyrically, Brock”s specialty remained the road-song (Out Of Gas, the eleven-minute Truckers Atlas, and especially Long Distance Drunk, which is also one of the most original creations of the album), a genre to which he was making the most significant additions in decades. But songs such as the emphatic and convoluted Teeth Like God”s Shoeshine, Cowboy Dan and Convenient Parking showed that he was capable of destabilizing any genre and style he decided to toy with. Generally speaking, the songs were more cohesive and less anarchic. Gone were the lengthy nonsensical codas. Brock was now firmly in command, and he was angrier and more bitter. A few outtakes appeared on single, above all Other People”s Lives (Up, 1998) and Never Ending Math Equation (Subpop, 1998). Building Nothing Out Of Something (Up, 2000) collects the singles and other rarities. (Translation by/Tradotto da Paolo Latini) Modest Mouse è un trio proveniente da Issaquah, una minuscola città di provincia nello stato di Washington. Il chitarrista e cantante Isaac Brock, aiutato dal bassista Eric Judy e dal batterista Jeremiah Green (anche membro dei Red Stars Theory e Satisfact), li ha formati nel 1994, come documentato su Sad Sappy Sucker (K, 2001), che raccoglie il loro primo album, mai pubblicato, il loro singolo di debutto Blue Cadet-3 (K, 1994) e il singolo Birds Vs Worms (Hit Or Miss, 1997). Il primo singolo del 1994 conteneva la delicata melodia di It Always Rains on a Picnic e l”anthem urlato di Dukes Up. Le tracce dell”album mai pubblicato spaziavano dal punk-rock di Classy Plastic Lumber alla ballad anthemica From Point A to Point B, dall”avvinazzata, jazzy e confusa Red Hand Case al rantolo Race Car Grin You Aint No Landmark. Difficilmente un capolavoro. Il primo album ufficiale della band fu un doppio, This Is A Long Drive For Someone With Nothing To Think About (Up, 1996), un abbozzo di cronaca della vita degli anni “90. Le migliori tracce (Dramamine, Custom Concern) riescono ad iniettare l”angolato e discordante rock and roll di Pixies e Minutemen nel lo-fi pop di Guided By Voices Sebadoh e Pavement. Le oneste ed accorate vignette di Brock valgono ben piu della musica, e gli EP che seguiranno lo confermeranno. Comunque, la title-track di Interstate 8 (Up, 1996) e The Fruit That Ate Itself da Modest Mouse (K, 1997) riusciranno a far sposare musica e testi, ma tutte storie malinconiche catturano l”attenzione di chi ascolta. Il singolo Birds Vs Worms (Hit Or Miss, 1997) contiene la ninnananna frenetica Every Penny Fed Car e e numeri blues: Worms vs. Birds (immagina una versiona lo-fi di Brown Sugar degli Stones) e Four Fingered Fisherman. Il lo-fi di Brock è sempre un po” troppo “lo-fi” giusto per il gusto d”esserlo. L”interesse di Brockverso il lumperproletariat e le classi medie americane diventa sempre più mordente e diventa musica su The Lonesome Crowded West (Up, 1998). I suoi ritratti di derelitti, perdenti e sciocchi disillusi può ora contare sulle strutture proprie del pop orecchiabile (Polar Opposites), del folk pastorale (Jesus Christ Was An Only Child), del country-rock (Cowboy Dan) e addirittura del blues (Styrofoam Boots). Il gruppo fa anche rock, sebbene in modo goffo (Lounge, Doin” The Cockroach). La specialità di Brock rimane la canzone da strada (Out Of Gas, Long Distance Drunk, Truckers Atlas), un genere al quale potrebbe fare i più significativi aggiornamenti dal 1950. Qualche outtakes appare su singolo, tra tutte Other People”s Lives (Up, 1998) e Never Ending Math Equation (Subpop, 1998). Building Nothing Out Of Something (Up, 2000) è una raccolta di singoli ed altre rarità. While not one of their best albums, Moon & Antarctica (Epic, 2000) is a good introction to Modest Mouse. 3rd Planet works as a generic ouverture to the band”s musical psychodrama, replete with meek-neurotic interplay and suicidal lyrics. But Modest Mouse”s skills at disorienting the listener are better summarized by the humbler Gravity Rides Everything, that braids an acoustic folk ballad and a raga-like strumming into a progressively noisier texture. A Different City and Paper Thin Walls are catchy and lively enough for general consumption, while the moody, desolate, noir music of Cold Part (hypnotic pace, romantic violin, Jim Morrison-ian scansion, guitar-bass doodling), the brief Syd Barrett-ian vignette of Wild Packs Of Family Dogs (childish refrain, cajun accordion) the metaphysical, Faust-ian country ballad I Came As A Rat are good specimens of their conceptual art. Songs like Tiny Cities Made Of Ashes (disco beat, instrial dissonances, theatrical recitation, distorted rap, highway boogie), Life Like Weeds (permeated by Indian and classical influences) and the 9-minute The Stars Are Projectors (that spans generations of folksingers from Billy Joel to Neil Young and accelerates into a demonic bolero and a baroque fugue) are musical and poetic journeys. Modest Mouse are capable of changing direction within a song in a subtle way, a technique that they borrowed from progressive-rock (Genesis, Yes, Rush, Roxy Music) and adapted to roots-rock. Brock takes advantage of that technique to enhance the dramatic aspects of his stories. The emotions, that have been brooding in dark, desperate songs like Dark Center Of The Universe (that builds up tension through an orchestral backdrop, a martial drumming and finally a mad shout against a hard-rock riff) and Alone Down There (a funereal flamenco shaken by sudden spasms) charge right at the end: Brock packs so much wrath and bitterness in What People Are Made Of that it sounds more like and indictment than a song. The music, ever restless, is traversed by electronic noises (with a preference for A Day In The Life”s vortex) that further acquaint the listener with the psychological depth of the songs. Isaac Brock”s side-project Ugly Casanova (featuring Black Heart Procession”s Pall Jenkins, Califone”s Brian Deck and Tim Rutili, Holopaw”s John Orth) released Sharpen Your Teeth (Sub Pop, 2002), which is probably his most experimental album. Diamons On The Face Of Evil is a labyrinth of electronica, blues and folk (clarinet and mandolin engage in a derelict et, “home-made” percussions are beaten feebly and a guitar weaves a casual middle-eastern motiv), whereas Pacifico (a gothic, emphatic dirge a` la Nick Cave, with monks” voices in the background) and Spilled Milk Factory (swampy blues shuffle, hysterical gospel call-and-response harmonizing, Beck fronting Captain Beefheart”s band jamming with the Pink Floyd) are ballads for the future primitive. The range of creative solutions is well represented by songs in perennial evolution such as Ice On The Sheets (a six-minute blues and funk work-out, enhanced by psychotic ranting and by a touch of Pere Ubu”s modern-dance folly, that slowly slides into tribal dementia) and Smoke Like Ribbons (country affectations of slide and mandolin, electronic ghosts, and the Beach Boys” Good Vibration that surfaces from the mix). Not to mention the grand psychedelic finale of So Long To The Holidays, six minutes of intense mantra and sunny guitar licks and cosmic radiations. Barnacles revolves around psychedelic whispers and sighs over a martial, Neil Young-ian pace, and is littered with post-instrial distortions and noises. Parasites unleashes a childish lullaby worthy of Brian Eno”s Taking Tiger Mountain against the backdrop of an epic horn fanfare and dischordanti guitar jamming, whereas Things I Don”t Remember recalls Syd Barrett”s surreal singalongs, with banjo and fiddle used as percussions. The tender serenade Hotcha Girls stands as an exercise in profane arrangements, pitting classical strings against John Cale-ish dissonance and vocal distortion a` la early Grateful Dead. Best to appreciate the album”s swooning vocal harmonies is Cat Faces, where voices meet like winds in the prairie and the instruments (slide, organ) sound like samples from another song. Brock”s least linear and least personal album could turn out to be his lasting masterpiece. A whole group of stances seemed to harken back to the 1980s: the apocalyptic tone of March Into The Sea, the anthemic ska-punk accents of We”ve Got Everything and Invisible, and the vibrating rage of Florida and Ecation. Others seemed to reach for the sound of the early days (the thin Parting Of The Sensory, the neurotic vocals and deranged guitar Fly Trapped In A Jar, although soaring with a disco beat). The novelty of the album is the eight-minute Spitting Venom, strummed on acoustic guitar before turning into a chaotic Captain Beefheart-esque blues and eventually decaying into shoegazing territory. Alas, the album has several doses of fluff and songs that do not quite make sense. Either Brock tried (and failed) to prove that he is more artistically talented than Float On showed, or he simply packed this album with too many inferior songs that had been left in the drawer. OriginsIn 1994, Isaac Brock, Jeremiah Green, Eric Judy, and John Wickhart recorded their debut EP, Blue Cadet-3, Do You Connect?, at Calvin Johnson”s Dub Narcotic Studios. It was released under K Records. John Wickhart played bass guitar on the EP. Then followed a single, “Broke”, under Sub Pop that was recorded by Steve Wold (now better known as bluesman Seasick Steve) at Moon Studios. During this time, Modest Mouse also recorded their would-be debut album Sad Sappy Sucker, but constant delays caused the album to be shelved and forgotten (it was officially released in 2001).[edit] Up Records releasesAfter moving to Up Records,[3] Modest Mouse put out two full-length albums and other recordings recorded at Moon Studios, including the 1996 LP This Is a Long Drive for Someone with Nothing to Think About. This album was proced and recorded by Steve Wold (at this time Wold was assisting in the recordings as well, but was not officially a part of the band). The next offering was Interstate 8, also proced by Wold. The 1997 album The Lonesome Crowded West (also recorded at Moon Studios, by Scott Swayze) turned out to serve as the band”s breakthrough. The Lonesome Crowded West gained the band a cult following, and is now popularly considered to be one of the defining albums of mid-1990s indie rock. Prior to its release, the band had recorded the EP The Fruit That Ate Itself. In 1999, Up Records released a singles and rarities collection entitled Building Nothing Out of Something, which included the entirety of Interstate 8 except for the songs “Edit the Sad Parts” and “Buttons to Push the Buttons”.[edit] Signing with Epic RecordsIn 2000, Modest Mouse released The Moon & Antarctica, their first album on Epic Records. The album was more instrumental compared to their previous work, and this was partially e to Brock having his jaw broken ring recording. Not knowing if he would be able to sing, he focused on making a more instrumental and experimental album.[4] The band enjoyed some success on alternative radio with the singles “3rd Planet” and “Gravity Rides Everything.” It was critically well-received[5] including a 9.8 out of 10 score from online music magazine, Pitchfork Media.[6] It has subsequently gone on to receive further acclaim.[7] Brock has since released an album with his side project Ugly Casanova on Sub Pop. The band licensed “Gravity Rides Everything” for a commercial for Nissan”s Quest minivan, a move that Brock has publicly acknowledged as blatantly commercial but necessary to achieve financial stability.[8]In 2001, Modest Mouse released the EP Everywhere and His Nasty Parlour Tricks, a collection of unused songs from the The Moon and Antarctica recording sessions. In 2002, they joined Cake, De La Soul, The Flaming Lips, The Hackensaw Boys and Kinky on the Unlimited Sunshine Tour.[edit] Mainstream successIn March 2003, Green quit the band after suffering a nervous breakdown; the official word was that he was quitting to work with his side project, Vells. The same year, he and bassist Eric Judy appeared on Adam Forkner”s debut solo album, VVRSSNN. Green was replaced with two new members, drummer Benjamin Weikel (who also drummed for The Helio Sequence, as well as playing keyboard) and guitarist Dann Gallucci (who had been a member of Modest Mouse previously, and appears on Sad Sappy Sucker and The Lonesome Crowded West). On April 6, 2004, Modest Mouse released their fourth album, the platinum-selling Good News for People Who Love Bad News, which scored two hits with “Float On” and “Ocean Breathes Salty” (both of which they performed on Saturday Night Live on November 13, 2004[9]). The album was nominated for a Grammy for Best Alternative Rock Album that year. Later that year, Green returned to the band, and Weikel returned to drumming exclusively for The Helio Sequence. Gallucci left the band in August.Modest Mouse was mentioned by name in the 2005 U.S. Supreme Court decision in the case of MGM v. Grokster. Justice David Souter wrote that on the Grokster P2P network, “Users seeking Top 40 songs, for example, or the latest release by Modest Mouse, are certain to be far more numerous than those seeking a free Decameron, and Grokster and StreamCast translated that demand into dollars.”[10][edit] Recent work Jim Fairchild: current Modest Mouse touring guitar player- live in concertIn May 2006, Dann Gallucci (who had left the band amicably in September 2004) was replaced on guitar by Johnny Marr. The album, entitled We Were Dead Before the Ship Even Sank was released on March 20, 2007[11] after being delayed from December 19, 2006. The album was successful in being the first Modest Mouse album to reach number one on the US Billboard 200 charts, and spawned the hit single “Dashboard”, as well as “Missed the Boat” and “We”ve Got Everything”.In issue 1045 of Rolling Stone magazine, Brock reported that his biggest priority is to finish a Modest Mouse EP; referring to the songs that did not make it onto Good News and We Were Dead. He says there are songs named “The Whale Song” and “Satellite Skin” as well as another song with The Dirty Dozen Brass Band.[12]Isaac Brock says he will begin writing music for their next album ring March. An update on the band”s blog featured a picture of the band rehearsing new songs. The band had a tour with R.E.M. and The National in 2008 which ended in Atlanta.[13]The band had begun a North American tour beginning in June 2008. The band returns to Florida for the first time since their November 2006 Bang Music Festival show where they were cut off stage early, with three shows in Miami, Orlando, and St. Augustine.[14] While an update on the Modest Mouse blog was subtitled catching up on some words for the next tour, it is in fact the lyrics to Heart Cooks Brain.[15] Modest Mouse recently finished their tour supporting We Were Dead after 2 years of promoting the record.Modest Mouse released singles for the songs Satellite Skin, Autumn Beds and Perpetual Motion Machine were released in limited edition (a run of 4,000 each) vinyl 7 inches, featuring artwork by Joshua Mark Levy, J.Alex Stamos, and Natasha Wheat.Jim Fairchild of Grandaddy and All Smiles replaced Marr as touring guitarist ring the support of No One”s First and You”re Next, which was released on August 4 2009,[16] composed of unreleased tracks from the recording sessions of Good News for People Who Love Bad News and We Were Dead Before the Ship Even Sank.[17]

问题二、关于美F盗贼Neilyo第10部视频中的歌曲

1) Modest Mouse – Alone Down There2) Modest Mouse – A Different City3) Radiohead – 15 Step4) Modest Mouse – The Ocean’s Breathes Salty5) Muse – Cave6) Cut from Muse –首迟 Invincible7) Cut from Modest Mouse – Little Motel8) Cut from Modest Mouse – Exit Does Not Exist这个不知道者敏李是不是的。拿前我看的是Neilyo10的歌曲。

你可能关注的问题四、欧美当红说唱、朋克乐队

美国著名说唱歌手纳斯(Nas)黑眼豆豆组合((Black Eyed Peas)美国流行朋克乐队Bowling For Soup美国当红朋克乐队出轨男孩英国说唱艺人Lady Sovereign著名说唱歌手Snoopy Dogg自称“南方说唱之王”的说唱歌手T.I.东海岸说唱歌手吉姆·琼斯(Jim Jones)著名硬核朋克乐队AFI新奥尔良说唱歌手Baby Boy Da Prince南方说唱歌手Lil Boosie1907个朋克乐队 Rank Band 1 Rancid 2 Rise Against 3 NOFX 4 Misfits 5 Against Me! 6 Anti-Flag 7 AFI 8 Alkaline Trio 9 Leftover Crack 10 Flogging Molly 11 Operation Ivy 12 Taking Back Sunday 13 Underoath 14 Casualties 15 Green Day 16 Bad Religion 17 Ramones 18 Thrice 19 Dead Kennedys 20 Atreyu 21 Coheed And Cambria 22 Mars Volta 23 Black Flag 24 Bright Eyes 25 Dropkick Murphys 26 Adicts 27 Unseen 28 Bouncing Souls 29 Tiger Army 30 Minor Threat 31 Choking Victim 32 Matchbook Romance 33 Used 34 Thursday 35 As I Lay Dying 36 Fall Out Boy 37 Descendents 38 Less Than Jake 39 Catch 22 40 Bad Brains 41 Screeching Weasel 42 Hot Water Music 43 Cursive 44 Falcon 45 My Chemical Romance 46 Converge 47 Exploited 48 Armor For Sleep 49 Lower Class Brats 50 Every Time I Die 51 Silverstein 52 A Global Threat 53 Tsunami Bomb 54 Strike Anywhere 55 GBH 56 Norma Jean 57 Nekromantix 58 Propagandhi 59 Queers 60 Bane 61 Alexisonfire 62 Lagwagon 63 Me First And The Gimme Gimmes 64 Sublime 65 Streetlight Manifesto 66 Poison The Well 67 Jawbreaker 68 Blink 182 69 Strung Out 70 Subhumans 71 Social Distortion 72 Clash 73 Saves The Day 74 At The Drive In 75 Big D And The Kids Table 76 Avenged Sevenfold 77 Lars Frederiksen And The Bastards 78 Blood Brothers 79 Planes Mistaken For Stars 80 Nirvana 81 Throwdown 82 Further Seems Forever 83 Eighteen Visions 84 Hawthorne Heights 85 Terror 86 Zao 87 Pennywise 88 Hopesfall 89 Methadones 90 Bleeding Through 91 Death Cab For Cutie 92 Refused 93 Get Up Kids 94 Lawrence Arms 95 Evergreen Terrace 96 Yellowcard 97 Weezer 98 Dillinger Escape Plan 99 With Honor 100 No-Cash 101 Hatebreed 102 Give Up The Ghost 103 Gorilla Biscuits 104 Briefs 105 Transplants 106 New Found Glory 107 Locust 108 Business 109 Mad Caddies 110 Toxic Narcotic 111 Blood For Blood 112 Circle Jerks 113 TSOL 114 None More Black 115 Specials 116 Horrorpops 117 Senses Fail 118 Enemy You 119 Oxymoron 120 Mustard Plug 121 MXPX 122 Against All Authority 123 Sparta 124 No Use For A Name 125 Between The Buried and Me 126 Virus 127 Good Riddance 128 Shai Hulud 129 Nerve Agents 130 Darkest Hour 131 Boy Sets Fire 132 Groovie Ghoulies 133 7 Seconds 134 Atom And His Package 135 Strokes 136 Cock Sparrer 137 Mad Sin 138 Adolescents 139 Comeback Kid 140 Story Of The Year 141 Fear Before The March Of Flames 142 US Bombs 143 Remembering Never 144 Vandals 145 Crass 146 Riverdales 147 Germs 148 Beautiful Mistake 149 Millencolin 150 Spitalfield 151 Goldfinger 152 Briggs 153 INDK 154 Dwarves 155 Morning Glory 156 Midtown 157 Conflict 158 Dashboard Confessional 159 GG Allin 160 Pedro The Lion 161 Unearth 162 Sick Of It All 163 Murder By Death 164 Agnostic Front 165 Modest Mouse 166 Kid Dynamite 167 Voodoo Glow Skulls 168 Death By Stereo 169 Stiff Little Fingers 170 Swingin” Utters 171 Common Rider 172 Even In Blackouts 173 Fear 174 Dillinger Four 175 One Man Army 176 Discharge 177 Appleseed Cast 178 Distillers 179 Dead Poetic 180 Killswitch Engage 181 Weakerthans 182 Rufio 183 F-Minus 184 Desaparecidos 185 Guttermouth 186 Pretty Girls Make Graves 187 Pietasters 188 Street Dogs 189 Postal Service 190 Black Dahlia Murder 191 A Static Lullaby 192 Reel Big Fish 193 Jimmy Eat World 194 Billy Talent 195 Brand New 196 Dead Milkmen 197 Hope Conspiracy 198 Ataris 199 Ducky Boys 200 Pulley 201 American Distress 202 Motion City Soundtrack 203 Thought Riot 204 Autopilot Off 205 Buzzcocks 206 Epoxies 207 Finch 208 Say Anything 209 Cheap Sex 210 Toasters 211 Orchid 212 Youth Of Today 213 It Dies Today 214 Angry Samoans 215 Bayside 216 UK Subs 217 From First To Last 218 Blitz 219 Teen Idols 220 Piebald 221 Emery 222 Juliana Theory 223 Reggie And The Full Effect 224 Living End 225 Northstar 226 Jets To Brazil 227 Blondie 228 Daughters 229 From Autumn To Ashes 230 Varukers 231 A Wilhelm Scream 232 Happy Campers 233 H2O 234 Break The Silence 235 Ten Yard Fight 236 Reagan Youth 237 Wings Of Azrael 238 Hey Mercedes 239 MDC 240 Circle Takes The Square 241 Fugazi 242 Sugarcult 243 Isis 244 Vindictives 245 International Noise Conspiracy 246 Dead To Fall 247 On Broken Wings 248 Movielife 249 And You Will Know Us By The Trail Of Dead 250 Suicidal Tendencies 251 Sigur Ros 252 Curl Up And Die 253 Real McKenzies 254 Kill Your Idols 255 Beloved 256 Audio Karate 257 Name Taken 258 Slackers 259 Pixies 260 Demented Are Go 261 88 Fingers Louie 262 Squirtgun 263 Dickies 264 Copeland 265 Ted Leo And The Pharmacists 266 MeWithoutYou 267 Defiance 268 Anti Nowhere League 269 Botch 270 Soviettes 271 Bigwig 272 Pogues 273 Killing Tree 274 Lars Frederiksen & The Bastards 275 Link 80 276 Husker Du 277 CKY 278 All 279 Damned 280 Bikini Kill 281 Templars 282 Rehasher 283 Code 284 Anti-Heros 285 Belvedere 286 Minus The Bear 287 River City Rebels 288 Maxeen 289 Slick Shoes 290 Hot Cross 291 Explosion 292 Lifetime 293 Youth Brigade 294 Manges 295 Brandtson 296 Partisans 297 Boys Night Out 298 Horse The Band 299 Sex Pistols 300 Champion 301 Letter Kills 302 Chain Of Strength 303 Forgotten 304 Darlington 305 Suicide Machines 306 Son Of Sam 307 Mr. T Experience 308 This Bike Is A Pipe Bomb 309 Hot Rod Circuit 310 Face To Face 311 Pig Destroyer 312 Nausea 313 Total Chaos 314 Five Iron Frenzy 315 Good Life 316 Minutemen 317 Q an